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MBO

July 10, 2026

Conductus: Cantum pulcriorem invenire

CPI is a database of conductus, sacred but non-liturgical chants used in the processions; conductus were especially popular in France from the 12th to the 13th century. The database is presented in a column arrangement through which one can search by conductus, manuscript, form, “syllabic/melismatic,” and the stanzas transmitted. For each entry, CPI presents the text of the poem, the music format, rhyme scheme, metrics, and other information about the text and music of the chant. There is also basic search functionality and a PDF guide for using the catalog. The catalogue may be searched or browsed by the incipit of the conductus, source manuscript, stanzaic form, syllabis/melismatic, and stanzas transmitted. Each entry includes the author, title, and text, information about editions if available, and manuscript witnesses, some with linked images on third-party websites (copyright may vary).

Website

Gregorio Bevilacqua, Mark Everist

September 30, 2025

Machaut Resources (The International Machaut Society)

The International Machaut Society is a not-for-profit scholarly organization founded in 1985 and devoted to the study, criticism, performance, research, and exchange of ideas related to all aspects of the works of the poet and composer Guillaume de Machaut (ca. 1300-1377) and their manuscript and performance traditions. Fields of inquiry fostered by the Society include, but are not limited to, literary history and criticism; music history, criticism, and theory; the performing arts; art history; and codicology. Study and performance of works of other poets and composers or of other performance and manuscript traditions are also included within activities sponsored by the Society insofar as they contribute significantly to study of the background, context, or influence of the works of Machaut. The Society encourages membership with the broadest possible international representation and currently boasts members from almost every continent. Any person may become a member of the International Machaut Society upon payment of dues. Right now we are unfortunately only able to accept U. S. funds, but we are looking into ways to receive other currencies.

Website

The International Machaut Society

May 21, 2025

Leesclubs voor rolmodellen

Bij de lerarenopleiding Nederlands werken we volgens het principe van dialogisch lezen. Maar leerlingen lezen ook bij andere vakken. Zeker voor Mens & Maatschappij-vakken is bewuste geletterdheid belangrijk. Studenten en leerlingen moeten kritisch leren denken, goed kunnen lezen en hun gedachten onder woorden brengen. Daarnaast werken de leerlingen over de gehele breedte aan persoonsvorming en is het dus logisch om bij alle vakken aandacht te hebben voor de vormende elementen in het curriculum. Bovendien motiveert het praten over literatuur leerlingen ook om meer te lezen. Samen met onze vakcollega’s laten we zien dat het behandelen van literaire fragmenten een waardevol onderdeel vormt van het onderwijsprogramma en op een laagdrempelige manier in de lessen kan worden opgenomen.

Open (Access) Text Book

Margriet Smits, Claudia van Werkhoven

April 30, 2025

Sidonius Apollinaris: Your Research Companion

This website focuses on Gaius Sollius Apollinaris Sidonius, a fifth-century Gallo-Roman aristocrat, high official, poet, letter writer, and bishop of Clermont (Auvergne) – a key figure in the transition of the later Roman Empire to the early Middle Ages and the dawn of Europe as we know it. It provides news on publications, conferences, and scholars in this field. Its fellow website on the Propylaeum platform contains materials for the study of Sidonius, featuring, among other things, an up-to-date bibliography, references to manuscripts and an overview of his reception.

Website

Joop van Waarden, Gavin Kelly

March 6, 2025

The Medieval Podcast | Buddhist Poet-Monks in Medieval China with Thomas J. Mazanec

Last week was all about Christian monks, but naturally, there were a whole lot of monks in different traditions across the medieval world. And some of them were even poets. This week, Daniele speaks with Thomas J. Mazanec about the Buddhist poet-monks of medieval China, why they chose to write poetry, and why their art was so controversial. You can support this podcast on Patreon - go to https://www.patreon.com/medievalists This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

Audio

Danièle Cybulskie, Thomas J. Mazanec

August 29, 2024

The Medieval Podcast | Feminist Medievalisms with Usha Vishnuvajjala

When someone evokes the medieval - in conversation or in media - they're looking for you to feel something. So, the question becomes what are they trying to get you to feel? And how are they accomplishing it? This week, Daniele speaks with Usha Vishnuvajjala about some of the surprising places the medieval world pops up in the modern world, and how it's perfectly okay to love medieval fiction. Sign up for Calamity and Change: An Introduction to the Fourteenth Century at https://medievalstudies.thinkific.com/courses/calamity-and-change This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

Audio

Danièle Cybulskie, Usha Vishnuvajjala

August 1, 2024

The Medieval Podcast | Medieval Beards and Baldness with Joseph McAlhany

If we need proof of how wonderful both baldness and beards are, we need only to cast our eyes back to the Middle Ages, where people were writing rhetorical arguments, alliterative poetry, and even learned sermons on the virtues of masculine hair. This week, Danièle speaks with Joseph McAlhany about these hilarious medieval texts, why people wrote them, and how seriously we're supposed to take them. Learn more about Daniele's online course at https://medievalstudies.thinkific.com/courses/calamity-and-change This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

Audio

Danièle Cybulskie, Joseph McAlhany

February 26, 2024

Ad Fontes

Ad Fontes is a web platform designed to train students and scholars for medieval archival work. Administered through the University of Zurich, the project requires the user to register for a free account that then allows him or her to take modules on the use of archives. Numerous modules exist, including ones on transcription, coinage, heraldry, chronology, dating, and maps. Transcription and script training focuses on several languages, including medieval Latin, German, and Scandinavian languages among others. Transcription modules include quizzes that allow a user to test their progress. The platform is continuously updated, with new modules added every few months.

Website

Simon Teuscher

January 10, 2024

The Pierre Kemp Collection

One of the most fascinating loners in twentieth-century Dutch poetry is Maastricht-born Pierre Kemp (1886-1967). In 1956 he was awarded the Constantijn Huygens Prize, followed in 1958 by the P.C. Hooft Prize. Maastricht University Library manages a large part of his personal estate. The Pierre Kemp Collection contains various types of objects, such as books (his personal library), letters, manuscripts, radio fragments, graphic work, a Liber Amicorum (a handwritten book of friends including graphic work by well-known artists), vinyl records, a red egg decorated by him with a poem in gold ink, a desk, and a record cabinet. Part of this collection has been placed in the library by the Pierre Kemp Foundation (Pierre Kemp Stichting), which aims to bring Kemp’s literary and visual heritage to the attention of a wide audience. As part of the national Connected Digital Heritage programme, the University Library aims to present the Pierre Kemp Collection to the widest possible audience in the most linked, open and enriched way possible. The Pierre Kemp collection has been made available (CC-BY license) in multiple representations: as presentation for humans via the website; as Linked Open Data in machine-readable JSON-LD format or SPARQL endpoint; as data set registration in the NDE datasetregister.

Document

Odin Essers

November 15, 2023

The last Kletsheads [Season 3, Episode 8]

In this final – and therefore extra-long – episode, three parents who have previously been guests on the podcast talk about how their family’s bilingual journey has progressed since then. I look back over the past four years, reflect on the future and, to conclude, we hear a poem written about and dedicated to bilingual children, and inspired by the podcast. Our first guest is Liz. I first spoke to her in the first season of Kletsheads (in episode 4, about language mixing). Liz is originally from Limburg in the Netherlands but has lived in Canada for 10 years. Together with her Egyptian husband, she has a 4-year-old son, Otis. Next, we hear from Marjolein. Marjolein grew up monolingually in the Netherlands, studied English and then became an English teacher. When she became a mother in 2018, she decided to also speak English to her infant son Owen. She now has a second son, James. Marjolein was first featured in this episode 2 of the first season on how much input does a child need to hear to become bilingual. Finally, I speak to Christi. Christi was first on the podcast back in 2020 (in the same episode as Liz) as our Kletshead of the week. She spoke about her own upbringing as a trilingual child in Vienna, and about the choices she faced now that she had become her mother herself. In this episode she tells us how speaking German can sometimes be a challenge (especially when ‘life’ gets in the way) and how her eldest daughter has picked up Spanish from her mum. If you want to know how these three parents and their bilingual families are doing now, listen to the podcast! To conclude this episode and thus the entire podcast series, we hear a poem, Three words for squirrel. This poem was written and is performed by spoken word poet, Wieke Vink. You might recognise Wieke from the first episode of this final season, when she interviewed our Kletshead of the week. If you listen carefully to the poem, you will hear many references to conversations, topics and words that have passed by in the past four in the podcast. Three words for squirrel This poem is for the little ones Whose mother tongue Is more than one With words in different flavours On the tip of your tongue Or flowing out of your fingertips This is for the children For whom the crossroads of thoughts in your head Could be spread out Into at least two different languages With womb-held babies Bathing in sound Following the rhythmic patterns That are with them – all around Emerging Out into the world A holder of knowledge Growing up You already know How to be gentle with yourself and with others How to wobble on the table of conventions How to take it slow When a word doesn’t immediately come to mind When in search for the right ‘mmm’ The nuance that you might know From the flow of past conversations Not yet fully interpretated But held onto brightly In the library of your mind Your shelves full of boxes With vocab and grammar Tu sais que somewhere Between the Malayalam, French and Finnish there will be a great find This is for you As you’ve felt How language is part of connection For all our neurodiverse minds Language as a connector For all things funny and wise, silly and kind Dear multilingual child You might not be able to speak it all You might not be able to read it all Yet you are able to hold it all In a map of the world That’s unique to you And the communities that you belong to Your cultures sometimes resonating In the tones of your skin The rhythms of your sentences The sounds of your name You know, language is part of identity Yet our schools may be So monolingual or full of variety With the need for heritage language education And intercultural communication Within and across our different nations With all these languages holding the world in their embrace And a dialect in every corner And when seasons seem out of order You are asked to braze both our physical and our cultural landscapes As three seasons of a podcast dropped From the northern hemisphere Covering all things bilingual – its difficulties, its grace and its flair Listened to long after the last episode went on air With stories from children and researchers Parents, educators and practitioners So much to share For as all small and adult translators know Switching between contexts Is more than just finding the right words to connect It’s being receptive to the realms of resonance As the edges of each soundscape Warrant different worlds of understanding For we summon worlds with our words Words for the moments that make life worth sharing Words to express our concerns and our caring And sometimes, when words are not what’s needed There is gestures and the willingness to sit together And listen to the whispers of the evening sun With multilingualism looking different for everyone Some being asked to sit down And study some grammar Others being showered with word clouds In a more day-to-day manner And seeking it out In comics and fairy-tales and everyday sounds With all of us When we are young Holding an innate understanding of universality And you were born open to the idea that one thing has multiple meanings As you know there are at least three words for squirrel Perspective-taking a skill Tangled up in your linguistical landscapes In the sounds of your childhood The letters of your alphabets In what is shared when you are happy or sad And language control? Let’s rock and roll In Twi, Arabic and Español For it’s hard work, being bilingual With word recognition, false friends and learning to read Brains building lyrical nodes with lightning speed As heritage languages need attention and input And words with less clues might leave us clue-less Yet diversity of resources is positively correlated to language richness Plucking the fruits of hard labour Some of the peaches That taste so sweet To be able to communicate with grandparents and peers And the fun of having a secret language to speak For you know there is magic in words Beyond the words on the page When the name of your language Is itself a palindrome Bringing up worlds of jokes with friends and parental aspirations And if poetry is about making connections Then multilingualism is creating the spark That brings new things together Creativity being part and parcel of the bilingual mind The paint brush that creates beauty In multiple styles and a triangulation of techniques When words stick together in new compositions When Elsa from Frozen gets crowned in Italian And joy might be written differently In different scripts But it’s unstoppable When it bubbles up High towards our cheeks Bubbling out, so to speak In that deep physicality of belly laughter So dear multilingual children, hold onto the songs of your linguistical mosaic Each piece fitting together As you are navigating its currents and graduations No thing ever as one-dimensional as its written representation Never as plain on the page as it might seem For you, dear child Have multiple languages in which to dream

Audio

Sharon Unsworth